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Queering the pitch: a posy of definitions and impersonations |
Wayne Koestenbaum |
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Musicality, essentialism, and the closet |
Philip Brett |
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Sapphonics |
Elizabeth Wood |
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On a lesbian relation with music: a serious effort not to think straight |
Suzanne G. Cusick |
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A conversation with Ned Rorem |
Lawrence D. Mass |
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Henry Lawes's setting of Katherine Philips's friendship poetry in his Second Book of Ayres and Dialogues, 1655: a musical misreading? |
Lydia Hamessley |
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Unveiled voices: sexual difference and the castrato |
Joke Dame |
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"Was George Frideric Handel gay?": on closet questions and cultural politics |
Gary C. Thomas |
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Constructions of subjectivity in Schubert's music |
Susan McClary |
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Eros and orientalism in Britten's operas |
Philip Brett |
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Queer thoughts on country music and k.d.lang |
Martha Mockus |
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Lesbian compositional process: one lover-composer's perspective |
Jennifer Rycenga |
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Growing up female(s): retrospective thoughts on musical preferences and meanings |
Karen Pegley and Virginia Caputo |
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Authority and freedom: toward a sociology of the gay choruses |
Paul Attinello |
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Queering the pitch: a posy of definitions and impersonations |
Wayne Koestenbaum |
|
Musicality, essentialism, and the closet |
Philip Brett |
|
Sapphonics |
Elizabeth Wood |